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The Wallpaper Journal

Quiet notes on light, landscape and colour — and the wallpapers they became.

At Night the Eye Stops Reading Colour At Night the Eye Stops Reading ColourReds leave first, blues hold on, and the photograph keeps hues the hour never handed out. The Horizon Is Closer Than It Looks The Horizon Is Closer Than It LooksStanding on a beach, the edge of the sea is about five kilometres out, and it keeps that distance however far you walk. One Flat Colour, and the Screen Becomes the Subject One Flat Colour, and the Screen Becomes the SubjectFill the display with white, then with black, and the panel can no longer hide behind the picture. Star trails: a photograph of the sky turning Star trails: a photograph of the sky turningFifteen degrees an hour, written down as arcs. Sun stars and flare: pointing the lens at the light Sun stars and flare: pointing the lens at the lightThe spikes around a low sun are not in the sky; they are the shape of the aperture. Wallpaper on a TV or a projector Wallpaper on a TV or a projectorThe same file, spread across two metres of wall, stops being the same picture. Snow Plumes: The Streak a Summit Trails Snow Plumes: The Streak a Summit TrailsThe white streak drawn sideways from a high peak on a clear day is wind made visible, and climbers watch it as closely as the forecast. Swash Lines: Where Each Wave Stopped Swash Lines: Where Each Wave StoppedThe thin curved lines on a sloping beach each record the exact point where one wave ran out of energy. A Wallpaper for the Monitor Turned on Its Side A Wallpaper for the Monitor Turned on Its SideA rotated screen keeps only a narrow strip of a landscape photo, so the picture has to be chosen for its height rather than its width. Foam: Why the Sea Turns White Foam: Why the Sea Turns WhiteNothing new is added when a wave breaks. The water simply stops being one thing and becomes millions of small ones. Concrete Keeps the Shape of Its Mould Concrete Keeps the Shape of Its MouldA wall that was liquid for one afternoon, and has been holding the memory of its formwork ever since. The Wallpaper Other People See The Wallpaper Other People SeeShare your screen and your desktop leaves the room as video, at a small fraction of the bits it deserves. Snow in the Air: Dots or Streaks Snow in the Air: Dots or StreaksFalling snow drops slowly enough that the shutter gets to decide what it looks like. Straight Down: Where the Shadows Hide Straight Down: Where the Shadows HidePoint the camera at the ground and the picture loses its floor, its sky, and most of its shadows. Wallpaper or Screensaver: What Still Means Wallpaper or Screensaver: What Still MeansOne is a file you look at; the other is a program that runs once nobody is looking. Flat Cloud Bases: Where the Air Turns to Water Flat Cloud Bases: Where the Air Turns to WaterSummer clouds are ragged on top and cut straight underneath, and the straight part is a measurement. Crown Shyness: The Gap Between Neighbours Crown Shyness: The Gap Between NeighboursLook straight up in certain forests and the canopy is drawn with a hand's width of sky between every tree. Wallpaper That Follows the Time of Day Wallpaper That Follows the Time of DayA desktop tied to the sun asks less of your attention than one that changes on a timer. Neon Only Glows One Colour Neon Only Glows One ColourMost of the rainbow on a night street is borrowed; the gas that gave the signs their name has a single, stubborn orange-red. Dawn or Dusk: Can a Photograph Tell? Dawn or Dusk: Can a Photograph Tell?The sun sits at the same low angle twice a day, and a still image rarely admits which end of the day it came from. The Notch, and the Top Edge of a Wallpaper The Notch, and the Top Edge of a WallpaperLaptops and phones now take a small bite out of the screen, and the strip of picture around it decides whether you notice. The Arc Opposite the Sun The Arc Opposite the SunA rainbow has a fixed address: forty-two degrees out from the shadow of your own head. The Net on the Sand The Net on the SandIn shallow water, every ripple works as a lens and writes a moving grid on the bottom. Turning the Screen Down Turning the Screen DownA wallpaper chosen at noon brightness is a different picture at twenty percent. The Corners of the Frame The Corners of the FrameA lens does its worst work at the four places nobody looks, which is exactly where a wallpaper gets seen longest. Purple, the Color Between Two Others Purple, the Color Between Two OthersNo single wavelength makes purple; the eye builds it from the two ends of the spectrum at once. Keeping a Wallpaper Folder You Still Use Keeping a Wallpaper Folder You Still UseA collection stops working somewhere between forty files and four thousand, and the fix is mostly filenames. Colors Not Addressed to Us Colors Not Addressed to UsA flower is an advertisement written for an audience with different eyes, and we happen to be standing nearby. Two Sides of the Same Ridge Two Sides of the Same RidgeOne slope faces the sun and the other does not, and after a few thousand years they stop looking related. The Copy Your System Makes The Copy Your System MakesYou set the file. The desktop quietly saves a second version of it, and that is the one you look at. The City Changed Its Bulbs: Night Went from Orange to White The City Changed Its Bulbs: Night Went from Orange to WhiteSodium lamps gave every street one colour to work with. LEDs gave them all of them. Heat Haze: The One Afternoon You Can See the Air Heat Haze: The One Afternoon You Can See the AirAbove hot ground the atmosphere stops being invisible and starts behaving like water. Glare: Why Your Dark Wallpaper Turns Grey by Noon Glare: Why Your Dark Wallpaper Turns Grey by NoonA glossy panel keeps a copy of the room; a matte one grinds that copy into fog. The Colour Your Taskbar Borrows From the Wallpaper The Colour Your Taskbar Borrows From the WallpaperSet an accent colour to follow the background and the picture starts making interface decisions. Overcast: The Day That Comes Without Shadows Overcast: The Day That Comes Without ShadowsA grey sky is the largest softbox anyone will ever work under. Field Lines: Fences, Furrows and the Edges We Draw Field Lines: Fences, Furrows and the Edges We DrawFarmland is the largest drawing most of us are allowed to walk on. Red, the Color That Won't Sit Back Red, the Color That Won't Sit BackThe longest wavelength on the screen, and the least patient one. Tracks in Sand and Snow Tracks in Sand and SnowA surface that keeps a record for a few hours. Wallpaper Behind Frosted Glass Wallpaper Behind Frosted GlassBlur keeps a picture's color and throws away its detail. Alpenglow: The Last Light on the Peaks Alpenglow: The Last Light on the PeaksThe valley has been dark for ten minutes and the summit still has not been told. Shadow Edges: How Soft the Light Was Shadow Edges: How Soft the Light WasThe blur along a shadow's rim is a measurement, not a mood. A Different Wallpaper for Each Virtual Desktop A Different Wallpaper for Each Virtual DesktopSwitching desks goes faster when every one of them has a color to answer to. Boats That Seem to Float on Air Boats That Seem to Float on AirWhen the water goes clear, the shadow moves to the sand. Rooftops: The Facade Nobody Designed for Us Rooftops: The Facade Nobody Designed for UsThe one side of a building that was never meant to be looked at. Sharpness Is a Distance Problem Sharpness Is a Distance ProblemHow far you sit decides whether the detail ever arrives. Roads and the Point Where They Stop Being Roads Roads and the Point Where They Stop Being RoadsTwo edges that never meet on the ground agree to meet in the picture. Contrails: Lines the Sky Forgets Contrails: Lines the Sky ForgetsThe only straight edge in a place that has no use for straight edges. Display Scaling and What It Never Touches Display Scaling and What It Never TouchesSet the screen to 150% and everything grows except the picture underneath.

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